Gong Music
Philippine gong music can be divided into two types: the flat gong commonly known as gangsa and played by indigenous groups in the Cordillera region of Northern Philippines and the bossed gongs played among the Islam and animist groups in the Southern Philippines.Kulintang refers to a racked gong chime instrument played in the southern islands of the Philippines, along with its varied accompanying ensembles. Different groups have different ways of playing the kulintang. Two major groups seem to stand-out in kulintang music. These are the Maguindanaon and the Maranaw. The kulintang instrument itself could be traced to either the introduction of gongs to Southeast Asia from China from before the 10th century CE, or more likely, to the introduction of bossed gong chimes from Java in the 15th century. Nevertheless the kulintang ensemble is the most advanced form of music from before the late 16th century and the legacy of hispanization in the Philippine archipelago.
The tradition of ku'intang ensemble music itself is an regional one, predating the establishing of borders between the Philippines, Indonesia and Malaysia. It transcends religion, with animist and Christian ethnic groups in Borneo, Flores and Sulawesi playing kulintangan; and Muslim groups playing the same genre of music in Mindanao, Palawan and the Sulu archipelago. It is distantly related to the Gamelan music orchestras of Java and Bali, as well as the musical forms in Mainland Southeast Asia, mainly because of the usage for the same bossed racked gong chimes that play both melodical and percussive parts.
Harana and Kundiman
The Harana and Kundiman are lyrical songs popular in the Philippine Islands dating back to the Spanish period. Harana are traditional courtship songs in the Mexican-Spanish tradition based on the habanera rhythm while the Kundiman, which has pre-colonial origins from the Tagalog region, uses triple meter rhythm. Kundiman is also characterized by a minor key at the beginning and shifts to a major key in the second half. Its lyrics depict a romantic theme, usually portraying love, passion, or sadness.In the 1920s Harana and Kundiman became more mainstream musical styles led by performers such as Atang de la Rama, Jovita Fuentes, Conching Rosal, Sylvia La Torre and Ruben Tagalog.
Tinikling
The Tinikling is a Philippine dance which involves two individual performers hitting bamboo poles, using them to beat, tap, and slide on the ground, and against each other in co-ordination with one or more dancers who steps over, and in between poles.Cariñosa
The Cariñosa (meaning loving or affectionate one), is a Philippine national dance from the María Clara suite of Philippine folk dances, where the fan, and handkerchief plays an instrument role as it places the couple in romance scenario. The dance is similar to the Jarabe Tapatío. The Cariñosa is accompanied with Hispanic music, and language.Rondalla
The Rondalla is performed on ensembles comprising mandolin instruments of various sizes called banduria composed on the Iberian tradition. Other instruments including guitars, is also performed.In the forefront of choral music in the Philippines, the Philippine Madrigal Singers has from its ranks produced more than 200 choral arrangers and composers who have contributed to the wealth of Philippines choral literature. They are the first and only two-time champions in the European Grand Prix for Choral Singing (1997, and 2007), widely considered the most prestigious choral competition in the world.
There are choirs in about every university, school, or church in the Philippines and most have gone and won on national and international competitions. Of mention are the University of Santo Tomas Singers, University of the Philippines Singing Ambassadors, University of the Philippines Concert Chorus, University of the Philippines Manila Chorale, Ateneo de Manila College Glee Club, Philippine Normal University Choral, Saint Louis University Glee Club (Baguio City), University of the East Chorale, Hail Mary the Queen Children's Choir, De La Salle University Chorale, Kilyawan Boys Choir (Claret School of Quezon City), and the Neo Nocturne.
